Drifting Home Review: An Enchanting Adventure
#Drifting #Home #Review #Enchanting #Adventure
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Seven children, an abandoned house, an endless body of water and only one goal: to return home. This summer’s coming-of-age story is Drifting Home. Check out this review to see what it’s all about!
Drifting home overview
Drifting Home is a fantastic coming of age story created by Studio Colorido and produced by Twin Engine and Netflix. Burn The Witch, Colorido’s version of Bleach’s spiritual successor, and the hugely popular A Whisker Away are among the company’s Original Net Animations (ONAs). The film is directed by Hiroyasu Ishida and is originally titled Ame wo Tsugeru Hyouryuu Danchi in Japanese. Ishida directed the anime films Penguin Highway and Fastening Days.
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Drifting Home Review – The Storyline
Sonny Boy, which I revisit in amazement, took first place in Leisurebyte’s Best Anime of 2021 picks. The program surprisingly made many fans’ top anime lists, earning nominations for Anime of the Year and Director of the Year for the Crunchyroll Awards (For what it’s value). It’s safe to assume that despite not being a popular option, the show won over many people, including this author. It’s just excellent animation that deserves a lot more credit than it gets.
Why are you bringing up this episode now? Well, for one, The Drifting Classroom, a horror manga, serves as a source of inspiration for both. The basic idea is the same – a group of children are stranded in an infinite abyss from which they cannot escape. Due to an emotional outburst by the children and their need to overcome their mental obstacles to get out of this situation, both incidents are triggered. Both stories are essentially coming-of-age narratives and show these young people how to embrace change.
So the crucial question is: Is Drifting Home a good movie? It certainly is. While it has several flaws, which we’ll mention in a moment, overall it’s been a really satisfying experience to go through. The film had a clear vision that it maintained throughout its duration and conveyed a very thorough and satisfying story. The author worked hard to make his vision as consistent and linear as possible as he had a clear idea of what he wanted to see on screen from the start.
The film placed a lot of emphasis on themes and maintained the numerous themes it chose for its characters. Some of the issues our main characters struggled with throughout the storyline were growth and learning to accept change. They lose someone very important to them, which damages their relationship. The way the film showed you behave towards someone you think you’ve wronged but don’t have the will to do anything about them was incredibly accurate. While I’m very excited about it, I didn’t expect a show starring children to delve so deeply into the human psyche.
Although spoken in a different language than most of us use, in this case the conversation felt like it was being spoken naturally by the characters. The conversation was straightforward, which may have contributed to the fact that they were all children, and also added to the immersion in the film. It also helped that the kids could have engaging conversations without being annoyingly cheesy. Although not as much as might be expected, some tingling was certainly present.
The other important element of Drifting Home was the loss of attachment or detachment caused by grief. Grief is difficult for adults, but we are talking about children here. A wonderful analogy of what life is like for someone who is grieving, Natsume’s attachment to the apartment building was the only thing that still rooted her. It worked really well as an animated character who could respond to the children’s pain with empathy and respond to the show establishing a full character on Noppo as an embodiment of connection and grief. For what it was, this film was pretty nifty.
However, not everything in Drifting Home is sunshine and flowers, as there have been some issues with it. The film’s pacing was the most obvious problem as it just went on way longer than it needed to. Some scenes took longer than they should, characters weren’t given enough time to grow, and entire scenes should have been left out of the final cut. This problem also affected the conclusion. While it was majestic, emotionally appropriate, and thematically appropriate, it took far longer than it needed to. The experience was mostly excellent, nonetheless.
Drifting Home Review – Animation and Music
The characters in Drifting Home are a real mix. Although some of what they are doing is beyond foolish, one has to be forgiven, for they are meant to be youngsters who don’t know any better, which is what I was trying to do. Even though most of them eventually learn to be smarter and make better judgments, the tagline for this film should be “Terrible Choices.” It’s hard to put into words how annoying it is when someone repeatedly makes the same mistake, especially after being warned repeatedly about the consequences of their behavior.
This is one character in particular, Natsume, who is the main female character of Drifting Home. It may seem finicky at first. She has to mature a lot because she likes to make mistakes. in fact quite a few. the ones that will be disastrous for everyone, including her. Luckily, she’s learning the lesson the film ended up trying to teach her, even though it required a lot of significant plot development. She wasn’t exactly a good character, but she wasn’t a total jerk either.
Drive home scared
Not much attention can be paid to Kosuke as his only traits were his ability to scream and dislike of everyone. While much of this could be excused with the fact that he’s young, the result is still difficult to see. He doesn’t have much to do in this story other than appear on screen and save Natsume from the traps she’s digging for herself, but he manages well and is still a likable protagonist. He himself has some lessons to learn, which he does wonderfully.
The remaining cast members are adequate, if somewhat reassuring. Still, they play an important role in the narrative, and their unique personalities add a lot of life to the otherwise lifeless scenario. The main supporting character, Reina, is a bit cliche, but entertaining nonetheless. Yuzuru and Taishi, the other two boys, are also respectable. However, Noppo is a little disappointing. Given the type of role he had in the film, one would expect him to be a much better character than he actually was. He wasn’t terrible; he was just so boring and boring. Well, not everyone can be successful.
The production quality of Drifting Home was excellent, as is the case with most episodes released these days, especially on a platform as big as Netflix Anime. The amusement parks and floating houses as well as the few fast-paced scenes at the end were animated very skilfully. The film had a cool filter that gave it a sea-like vibe, which was appropriate for the setting, and the character designs were also modern. After all, is it that every animation is so excellent that all you can say about stuff like this is, “Yeah, that was right I guess?”
On the other hand, the music fell flat. It just lacked the seriousness one would expect from something so ominous. There was pleasant music, without being sure, but it wasn’t the kind of music that would stick in your mind after the credits rolled. The vocal insert songs, especially the city pop track played in the middle, were excellent. A very memorable collection of music, others like it.
Verdict
An equally endearing and well-written film that you’re likely to discover on Netflix is Drifting Home. The theme and animation lifted it beyond what most people would expect, although the pacing and music weren’t particularly noteworthy.
You can watch Drifting Home on Netflix!