Brightcliffe Hospice: is it a real place? Where is it located?|All Social Updates

Brightcliffe Hospice: is it a real place? Where is it located?

The Midnight Club on Netflix tells the story of eight terminally ill children living at Brightcliffe Hospice. They must accept their impending mortality because there is no cure in sight, but even in their darkest hours they are able to laugh and express their love for one another. They diverge during the day but get together at the library at midnight to listen to a horror story. Each night one of them takes the stage and ‘do ghosts’, but little do they know that Brightcliffe itself is home to a significant number of ghosts. The setting’s past plays a significant role in the story as the youngsters’ search for a cure pushes them to their limits. Here’s what you need to know about Brightcliffe if you’re wondering if it’s a real place or not.

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Is Brightcliffe Hospice a real place?

No, the setting for Brightcliffe Hospice is not an actual location. Christopher Pike’s book of the same name served as a source of inspiration for The Midnight Club. The hospice in the books is known as the Rotterham Home, another fictional place invented by the author. Pike created the storyline and setting, but after speaking to a fan he had an idea for the characters and setting.

Once a couple came to Pike with a terminally ill child. She was a great admirer of his writing. The parents contacted Pike hoping that their daughter’s last wish could come true because they understood how happy it would make them to meet their beloved author. Pike, on the other hand, lived across the coast, making it extremely difficult for him to meet her in person. But he continued to communicate with her through phone calls and letters. This young lady was the one who informed Pike about her hospital book club. Every night at midnight, she and the other patients met and discussed their favorite Pike stories. This influenced the author and he made the decision to write a story as an ode to his followers.

How much Pike knew about the facility and whether or not he founded Rotterham Home on it is both unknown. He took the idea of ​​a book club as a basis for his work, but instead of having the kids talk about their favorite horror books, he made up new stories for them to share. Although the girl did not live long enough to read Pike’s book, the author was able to connect with other youth who were going through similar experiences.

The complex history of the hospice and how it differed from other similar institutions must have been invented by Pike because he was writing his book for a larger audience and needed to give the setting a spooky atmosphere. Additionally, the Netflix series puts its own unique spin on the setting, emphasizing Brightcliffe’s establishment as a place steeped in mystery, horror, and mystery, rather than your typical hospice.

Where is Brightcliffe Hospice located?

British Columbia, the ideal setting for a horror program like The Midnight Club, served as the backdrop for the whole thing. The area is mountainous and lush green, making it the ideal setting for the mysterious story. In relation to Brightcliffe Hospice, the story’s primary setting appears to have been a church in Delta, British Columbia. Other locations were also used, including Bridge Studios in Burnaby, British Columbia.

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Details of Brightcliffe

Once Ilonka and Tim arrive, The Final Chapter spends most of its time introducing us to Brightcliffe’s current people and getting us acquainted with the basic history of the area. The property is managed by Dr. Georgina Stanton (the legendary Heather Langenkamp), who bought it in 1966 after it had previously been owned by a number of different parties, including a spiritual community called the Paragon. Stanton strikes me now as someone who genuinely cares about bringing comfort to these young people in their last months of life. Because she lost a son, she rejects the battle analogies normally used when discussing illness.

Although it may seem comforting at first to talk about battling cancer, it misinterprets death as failure. “Brightcliffe is not about fighting; it’s about permission to leave the battlefield,” she says to Ilonka and Tim. We are not here to enter into a fight or to fail in a fight. Every day is a success here.

Ilonka meets the seven young people who live in Brightcliffe over dinner and a tour of the facilities. After briefly seeing Kevin (leukaemia, four months in Brightcliffe) in visions, Ilonka had already met him outside. The friendly guy who gives her the tour, Spence (five months), is present. We also learn about Natsuki, who has had ovarian cancer for three months, Cheri, who tells pathology stories, Amesh, the class joker, who has had glioblastoma for two months, and Sandra and Anya, who have been diagnosed with cancer for 6 months. .

With the exception of Igby Rigney and Annarah Cymone, who both appeared in Midnight Mass and played Kevin and Sandra, the majority of the young cast are relative amateurs. But there is a lot of promise for this program. Ilonka’s roommate Anya, played by Ruth Codd, particularly appeals to me for adding a welcome edge and humorous cynicism to the generally friendly group dynamic.

Anya’s memories of Rachel, the former roommate she shared with Ilonka, provide a glimpse into a more complex past that will no doubt be explored in later episodes. In her later years, Rachel dabbled in the occult. She even left a pentagram drawing on the floor next to the bed that Ilonka is currently using. She also claimed to have sensed a shadow approaching her in the last moments of her life. It’s possible that this shadow is the one following Ilonka down the hallway at the end of the episode.

The lights in Brightcliffe go out at 10pm, but on Anya’s first night there, Ilonka discovers she slips out at midnight. She follows her to the library, where the group gathers to share scary stories. The Midnight Club was formed before any of those eight students enrolled at Brightcliffe, as the name suggests. It acts as a narrative setting and seeks to terrorize a group of young people who frequently face death. But they also made a covert pact: whoever dies first will tell the others what’s coming from the other side. No one has clearly seen an afterlife sign yet, but I have a hunch that won’t last very long.

The Midnight Club appears to be Flanagan’s satire on clichés in the horror genre. Natsuki continues her conversation with Ren while telling the first story (played by William Chris Sumpter and seemingly imagined in her mind as a version of Spence). The scene begins with Ren stumbling into an unfamiliar block and noticing that strangers are watching him from every window. However, the mood changes abruptly when a girl repeats the slurred repetition of “Are you lost?” transforms into an infinite series of jump scares, her screeching face appearing in every direction Ren looks.

Brightcliffe Hospice

What is the plot of Brightcliffe?

Flanagan has a lot of fun here parodying the clichés he’s trying to avoid, especially with the hilarious take where the girl suddenly appears in the foreground and screams at the camera. (The second sentence on his Wikipedia page even refers to a “lack of faith in jump scares.”) One gets the impression that Spence is expressing his own brand of fear through the characters when he corrects Natsuki, saying, “Everyone can smash pots and pan behind someone’s head,” in response to her interrupting her story. That’s breathtaking, not terrifying. It’s also pretty lazy. Even at the climax of the story, Natsuki pulls a fun fast train by replacing the actual monster lurking in the shadows with a cat. (Did you just scare us like a black cat? Spence has spoken his mind. That’s what you finish first, not last.

Ilonka is the author of the second story of the evening and is supposed to tell a story as part of her initiation. Most of what she says about Julia Jayne, a young girl whose tumors mysteriously disappeared after being missing for a week while visiting Brightcliffe, is true. Julia was fixated on the idea that, according to Ilonka’s account of the events, she only had about a year to live. Whatever had happened in her absence, she had changed; Instead of being aware of her own death date, she had been cursed to always be aware of everyone else’s.

You know it’s not easy? chilling for someone who has already heard the worst news anyone could ever hear. This is how Anya describes the attraction of the Midnight Club on Ilonka. It also functions at a deeper level as the Midnight Club’s mission statement. How can you get your audience to be afraid of your characters when they’re all almost guaranteed to die within a year from the start? We are, of course, reminded that there are worse things than death in the answer. Maybe Julia Jayne recognized that herself.

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