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Henry Cole Under the Public Record Office Act of 1838, the record office was set up in 1838, and Cole was one of four senior assistant-keepers. He made many records at the Carlton House Riding School, where he was sent on November 2, 1841, for that purpose. His reports about how bad this place was helped to build the building on Fetter Lane (started in 1851). Cole’s work at the record company did not drain all his energy. In 1838, with permission from his employers, he became secretary of a group working to improve the postal service. He was in charge of their newspaper, the Post Circular. He came up with the idea for it, and the first issue appeared on March 14, 1838. He worked hard to get petitions and meetings going, and in 1839, Cobden asked him to become secretary of the Anti-Cornlaw League. In August 1839, Parliament gave the power to carry out the new postal plan, and the treasury offered prizes for the best stamp ideas. Cole got one of the premiums. He went to the treasury to discuss the details and worked there until early 1842 to figure out how the plan would work. From 1837 to 1840, he worked as Rowland Hill’s assistant. During that time, he was an integral part of the launch of the Penny Post. He is sometimes given credit for creating the Penny Black, the world’s first postage stamp. Cole sold the first commercial Christmas card in 1843. He asked artist John Callcott Horsley to create the image for the card. A fake name for Felix Summerly Cole was interested in industrial design, and under the name Felix Summerly, he designed several manufactured objects, including a prize-winning teapot made by Minton. As Felix Summerly, he also wrote several children’s books, such as The home treasury (1843–1855), A hand-book for the architecture, sculpture, tombs, and decorations of Westminster Abbey (1859), Beauty and the beast : an entirely new edition (1843), An alphabet of quadrupeds (1844), and The delightful history of Reynard the Fox, told with pictures by Albert van Everdingen (1843). The Great Exhibition of 1851 was held in Hyde Park. Cole used his membership in the Society for the Encouragement of Arts, Manufactures, and Commerce to get the government to support his campaign to raise industrial design standards. Prince Albert agreed to help, and in 1847, the Royal Society for the Encouragement of Arts, Manufactures, and Commerce was granted a royal charter (RSA). Under the support of Prince Albert, Cole put together a successful Exhibition of Art Manufacture in 1847. In 1848 and 1849, Cole put together larger shows. Cole went to the 11th Quinquennial Paris Exhibition in 1849 and found that there was no international exhibition. He saw that the RSA’s planned exhibitions for 1850 and 1851 could be turned into a larger international show. With the help of Queen Victoria, he established the Royal Commission for the Exhibition of 1851 in 1850 to run the new show, with Prince Albert as its president. The Great Exhibition of the Works of Industry of All Nations was held at the Crystal Palace in London’s Hyde Park from May 1 to October 15, 1851. It was a big hit with the public and made a lot of money, thanks in part to how well it was run. it’s by Henry Cole. Cole was ridiculed in Vanity Fair on August 19, 1871, as “King Cole.” The V&A has a tiled mural. Cole was one of the Commissioners, and he helped decide that the £186,000 left over from the Great Exhibition would be used to improve science and art education in the UK. Land in the South Kensington neighborhood was purchased and became “Albertopolis,” the center of many educational and cultural institutions. Henry Cole was put in charge of the Department of Practical Art, which was set up by the government to improve the quality of art and design education in Britain with an eye to how it could be used in industry. In this role, he helped make the Victoria and Albert Museum what it is today. Before that, it was called the Museum of Ornamental Art and was at Marlborough House. Cole oversaw the museum’s move to its current location and, from 1857 to 1873, was the first director of what was then known as the South Kensington Museum. The part of the museum formerly known as the Huxley Building was replaced by the Henry Cole Building in 1974. It is now part of the Henry Cole Wing of the V&A. Honors and legacies Cole helped found the National Art Training School, which was renamed the Royal College of Art in 1896. He also helped found many other institutions in South Kensington, such as the Royal College of Music and the Imperial College London. In fact, the Imperial College Mathematics Department used to be in the Henry Cole Wing on Exhibition Road. When the building was given to the Victoria and Albert Museum, the department moved. Cole was awarded a CB and knighted by Queen Victoria in 1875 for his work at the Great Exhibition.
[7] Cole was called the “Old King” by the press, and said that the Queen and especially the Prince Consort were very close to him. When the Prince Consort needed help with one of his pet projects, he was heard to say, “We’ve got to get some steam, get Cole.” Cole lived and worked at 33 Thurloe Square, South Kensington, London, right next to the Victoria and Albert Museum. It is marked with a blue plaque from English Heritage.
