Meet Quannah Chasinghorse Parents, Eli and Jody Joseph

Quannah Chasinghorse was born to parents Eli and Jody Joseph, who were always there for her. She is a model and protector of Native American land.

Chasinghorse is a unique model who aspires to become an indigenous leader and model. She is one of the best models in America representing indigenous traditions and culture. Yahoo! Life says that model Quannah has had the chance to be in magazines like Elle, Vogue and Allure (the latest magazine).

In her response to the media, she talked about the difficult times she had on her way to becoming a model. She also never thought she would be so successful when it comes to what people find beautiful.

Currently, the model is paving the way for Indigenous Representation in Beauty through the American beauty magazine for women called Allure. She changes the rules of the game when it comes to the way Indigenous people are shown.

Eli and Jody Joseph raised Quannah Chasinghorse

Eli and Jody Joseph are proud of their daughter Quannah Chasinghorse, who has done well in life. Her parents have always helped with what she wanted to do.

A Native American model, Quannah was born in Tuba City, Arizona, on land that is part of the Navajo Nation. Her parents were born in the United States, so they are native. When she was born, her mother, Eli, was in Tuba City attending school.

On mother’s side, 20-year-old woman is Han Gwich’in of Eagle Village, Alaska, and on father’s side is Sicangu-Oglala Lakota of the Rosebud Indian Reservation in South Dakota. Quannah, a beautiful woman, grew up in Arizona, Mongolia and New Mexico when she was young.

Later, when she was six, she moved to Alaska to live with her mother’s family. Quannah has lived in several places such as Kenny Lake and Fairbanks. She attended Effie Kokrine Charter School for her education.

Tribe, Country and Religion of Model Quannah Chasinghorse

The father of Native American model Quannah Chasinghorse is a member of the Sicangu-Oglala Lakota tribe and she is a Christian.

Model Quannah is always happy to show us around her Alaskan hometown. She walks the catwalks and stars in advertisements for high-end brands, but she never forgets where she comes from.

Chasinghorse, who is on The A-List, was a determined teenager two years ago who worked to protect the indigenous land and climate. Quannah is now a model for Gucci and Chole. She is of the Han Gwich’in and Oglala Lakota tribes.

With her traditional facial tattoos, the model gives a voice to her people on the catwalk and defines herself as a blank canvas. She always shows respect for her Fairbanks, Alaska, roots and the people who live there. A woman from Tuba City has become one of Vogue’s top models.

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Quannah Chasinghorse grew up with her siblings, Izzy and Denali.

She told Allure in an interview that her family went to Mongolia, where her grandparents lived. Her family lived there for two years and she learned Mongolian while there. Her mother is the reason she has done well as a model.

In an interview, she shared how her mother wanted her and her brothers to learn about their culture and make the most of their lives. She also said that they had lived in the middle of the forest and had cut wood for the fire.

She has always liked to ask many questions about her tribes and cultures. Her mother always talked to her at length about where they came from and what their culture was like. She was 14 when she got a traditional tattoo. She was the first native girl in 100 years to have one.

Her aunts were also an important part of her life. She has always wanted her people to be proud of their culture and the things she does. People all over the world liked that she wants to help her people with their traditions and art.

For its May issue of Vogue Mexico, the magazine wanted a cover star who would “be the face of a new generation of models.” Indigenous model Quannah Chasinghorse exemplifies this in more ways than one. The 18-year-old, who was photographed by Inez & Vinoodh for the cover in an ethereal Valentino dress, is a welcome addition to the fashion world. She proudly shows off her traditional tattoos, wears an authentic indigenous style and has done a lot of impressive activism work. She also breaks down barriers by giving Indigenous people a voice in an industry that has long ignored and left out Indigenous talent.

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Chasinghorse, Han Gwich’in and Oglala Lakota and living in Fairbanks, Alaska, is still fairly new to modeling. She has lived in Alaska since she was seven years old, and she only joined IMG in December. In October last year, she was chosen for a Calvin Klein advertising campaign. Since then, she has participated in shoots for V and Thunder Voice Hat Co., which is owned by indigenous peoples. She says her new cover for Vogue Mexico is awesome. “I’ve always wanted to be a model. “But growing up, I never saw indigenous people in fashion or beauty,” Chasinghorse says. “I never felt confident as a child because of the negative ideas people have about Native Americans. But that’s going to change. Today, younger generations will be able to see Indigenous excellence on the covers of magazines – and hopefully everywhere.”

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Created by Inez & Vinoodh and published in Vogue Mexico in May 2021

Before starting modeling, Chasinghorse was best known for her activism on Indigenous issues and climate change. Because of this, she has a large following on social media (she currently has 40,000 followers on Instagram alone). She’s worked hard in the past to protect her state’s Arctic National Wildlife Refuge, a 20-million-acre ecosystem that is still endangered by global warming. She still uses social media to talk about important issues like this. Chasinghorse says, “The activism I do is something I’m very passionate about.” “Indigenous youth contact me and say that I encourage them to use their voices and learn more about who they are as indigenous peoples.”

Chasinghorse also brings her knowledge and experience into the work she does as a model. With every job she takes, she wants to teach people about her culture and tell people about her own life. Chasinghorse says, “People forget that we are real people who have been through a lot.” “They don’t remember the past, if they know it at all. It’s been hidden for years. But we’re starting to see more Indigenous people being supported and included, and it’s great to be a part of that. One way she brings her culture to the modeling world is through her love of indigenous fashion. For a recent V-shoot, she wore some of her own jewelry made by indigenous people. “For many years, our culture and sacred symbols have been stolen,” Chasinghorse says. She adds that she loves bringing authentic pieces that she and her family have created to the forefront of the fashion world. “My grandmother and my aunts taught me to string beads.”

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Chasinghorse also shows her uniqueness as a model by getting traditional Han Gwich’in tattoos called Yidtoo. These tattoos are a standout part of her look and make her stand out. Chasinghorse says, “They make me feel more confident because they’re a part of my ancestors that was almost completely lost.” She got her first tattoo when she was 14. It was a single line that ran down her chin. It was done in a hand poke style by her mother. Chasinghorse says, “Ever since I was a kid, my mom taught me about our sacred tattoos.” “My first tattoo is all about becoming a woman,” she said. If a girl in my culture becomes a woman, she can now have children, get married and take on more responsibilities. That includes a ceremony. When we do traditional tattoos, we always have a ceremony. It was such a powerful thing to continue. When I got the tattoo, I felt like I was in touch with a deeper part of myself.”

Last year she got her second traditional tattoo, three dots in the corner of each eye. It was also made by her mother after she dreamed about her. Chasinghorse says, “I’ve been battling depression and anxiety since I was in elementary school, and I finally realized I needed to focus on my healing.” “I had a dream that my mother was tattooing around my eyes, and she said, ‘You have to start your healing journey.'” She decided to get the tattoos as a tribute to the strength and constant healing work that indigenous people have to do. Chasinghorse says, “I remember when I finished I felt like a different person.” She also wants to add more and more. “I’m not done with it yet; I want to make a line connecting the three points,” she says.