Robert Peter Williams Bio, Wiki And More Of The Singer

Robert Peter Williams Bio, Wiki and more from the singer

Robert Peter Williams is an English singer and songwriter who was born on February 13, 1974. From 1990 to 1995, he became a pop star with Take That, before going solo in 1996 and achieving commercial success. Seven of his singles have peaked at No. 1 in the UK, and 11 of his studio albums have done the same. He set a Guinness World Record in 2006 by selling 1.6 million tickets in one day on his Close Encounters Tour. Six of his albums are in the top 100 best-selling albums in the UK, two of which are in the top 60.

Williams has won a record 18 Brit Awards, including three MTV European Music Awards, eight German ECHO Awards, three Outstanding Contribution to Music, Icon Award for his lasting influence on British culture and four Best British Male Artist.

After winning the title of “Greatest Artist of the 1990s”, he was inducted into the UK Music Hall of Fame in 2004. He has been certified for 20.2 million albums and 8.4 million singles in the UK as a solo artist, according to the British Phonographic Industry (BPI). With 75 million albums sold worldwide and five of his albums reaching the top of the Australian album chart, he is one of the best-selling musicians of all time. He also topped the UK radio chart from 2000 to 2010. Over 375,000 people attended his three shows at Knebworth in 2003, making them the largest music event in the UK up to that point. In addition to having a tourist route and streets named after him, he was given the freedom of Stoke-on-Trent in 2014.

Williams returned to Take That in 2010 after a 15-year absence to co-write and lead their album Progress, which sold more copies than any other album in UK chart history.[6] and to become the fastest-selling record of the century at the time.

The second stadium tour, which featured seven songs from Williams’ solo career, sold 1.34 million tickets in less than 24 hours and became the most popular concert in British history. While insisting that the split was amicable and that Williams was welcome to rejoin Take That in the future, Take That frontman Gary Barlow revealed in 2011 that Williams had left the group for a second time to join Take That. to concentrate on his solo career. Williams has since worked with Barlow on a number of projects, including the West End musical The Band, and starred with Take That on television three times.

The Early Life of Robert Williams

Robert Peter Williams, the son of Janet (née Farrell) and Peter Williams (aka Pete Conway), who operated the Red Lion in Burslem before becoming the licensee of the Port Vale FC Social Club, was born on February 13, 1974 in Stoke on Trent.

His maternal grandparents were from Kilkenny, Ireland. He was a student at St Margaret Ward Catholic School in Tunstall and took part in a number of school productions. The Artful Dodger was his most notable appearance in an Oliver production.

Williams, then sixteen, joined Take That in 1990 as the group’s youngest member. According to the documentary Take That: For the Record, his mother read a call for candidates for a new boy band and urged him to give it a shot for the group. On the day of his interview with Nigel Martin-Smith and audition, he ran into fellow cast member Mark Owen. Williams sang the lead on the group’s first Top Three success, “Could It Be Magic,” as well as “I Found Heaven” and “Everything Changes,” although Gary Barlow wrote and sang the majority of the group’s songs. Williams and Martin-Smith argued over Take That members’ behavioral expectations as a result of Williams’ alcohol and drug use.

Williams’ drug use had worsened by November 1994; the night before the band was due to perform at the MTV Europe Music Awards, Williams came dangerously close to an overdose.

According to the documentary For the Record, he was dissatisfied that singer Barlow and Martin-Smith did not consider his musical suggestions; his desire to experiment with hip-hop and rap ran counter to Take That’s usual ballads. Williams had given up trying to contribute creatively, according to Barlow, who revealed this in interviews.

Orange and Barlow expressed their concerns to Martin-Smith after observing Williams’ increasingly aggressive behavior and erratic practice attendance and fearing he might leave the band on their upcoming tour. The three confronted Williams about his attitude during one of the final rehearsals before the tour started and said they wanted to do the tour without him. It would be the last time they would all be together for twelve years when he decided to leave the group in July 1995. Williams left the band, but Take That still managed to complete their Nobody Else Tour as a quartet. On February 13, 1996, William’s 22nd birthday, they disbanded.

Shortly after, Williams was caught on camera by the media having fun at Glastonbury Festival with his Oasis bandmates. After he left, he was the focus of discussion programs and newspapers for revealing his intentions to pursue a solo singing career and for having fun with George Michael in France. He was later sued by Martin-Smith and ordered to pay $200,000 in commission because a provision in his Take That contract forbade him from publishing material prior to the group’s official dissolution. Williams was able to cancel his contract with BMG after filing numerous legal disputes over his freedom to pursue a solo career. Williams was signed to Chrysalis Records on June 27, 1996.

Williams performed in Vienna, Austria in 2006

It was established in February 2009 that Williams had collaborated on writing projects with Guy Chambers and Mark Ronson. According to a spokeswoman, Williams planned to start recording sessions in March and the new album would be released in late 2009. This is most likely the last Williams album to be distributed by EMI. Williams announced on his official website that he was working with producer Trevor Horn on his new album, which would be called Reality Killed the Video Star, a play based on the lyrics of The Buggles’ song “Video Killed the Radio Star.” The album was made available in the UK on November 9, 2009.

Williams released Songbook, a 12-track compilation album, as a free CD for the publication The Mail on Sunday on October 11, 2009. On the results of The X Factor that same night, Williams made his ‘comeback’ and debuted his brand new song ” Bodies” live. Williams launched the BBC Electric Proms at the London RoundHouse on 20 October 2009. It was his first live performance in three years and was broadcast in 200 theaters around the world. Williams played some brand new songs from Reality Killed the Video Star and older songs, accompanied by a string quartet, horn section, full band and producer Trevor Horn.

On November 6, 2009, Reality Killed the Video Star received a UK preview on the Spotify music streaming service. The song had its official release on November 9.

Williams’ album took on JLS, 2008’s number two X Factor, whose first album was released the same day, in a high-profile chart-topping war. JLS sold Williams with 1,500 sales to claim first place. Williams’ first album to be released in the country since 2002’s Escapology, the album was also made available there. Williams traveled to Australia in late November 2009 to perform at the 2009 ARIA Music Awards.

Williams performing at Sydney’s Super Dome in 2009

In and Out of Consciousness: The Greatest Hits 1990-2010, Williams’ second greatest hits collection, was released in October 2010 to commemorate his 20 years as a performing artist. Williams and Barlow co-wrote and sang “Shame,” which was also made available as a single.

After leaving his previous record label EMI in 2010, Williams signed with Island Records (Universal Music) on October 21, 2011.

The Diamond Jubilee Concert, co-hosted by Gary Barlow and performed on June 4, 2012, outside Buckingham Palace, featured Williams as the opening act.

The countdown to the publication of information on his most recent solo work has begun on his official website at the end of August. Each day, as the countdown progressed, an image of his face and mind was revealed. Take the Crown, the album’s title, became Williams’ tenth number one album when it topped the UK Albums Chart. In addition, it was the second time in her career that the single “Candy” and Williams’ album both reached number one on the charts at the same time. The first time was in 2001 when “Somethin’ Stupid” and Swing When You’re Winning, two albums, reached number one on the singles chart.

The lead single from the album, “Candy”, debuted on September 10, 2012 and was made generally available on September 11 and October 29 in the UK. Williams’ seventh solo number one single in the UK, “Candy”, became his first number one single since “Radio” (2004). The song became the fastest-selling male artist single of the year after selling 137,000 copies in its first week. Williams unveiled a 17-day stadium tour in Europe on November 26, 2012. Williams also stated that Olly Murs, with whom he also duets on “Kids,” would be the opening act of the tour. When EMI and Universal merged in 2012, Williams’ Chrysalis/Virgin records eventually ended up with Universal.

Crown Stadium Tour of Williams

Williams announced the release of Swings Both Ways, the follow-up to his 2001 swing CD, in September 2013. The album features original songs and covers, as well as duets with Kelly Clarkson, Michael Bublé, Olly Murs, Rufus Wainright, Lily Allen. and others. Williams made a brief cameo in Murs’ “Hand on Heart” music video in November 2013.

On December 1, 2014, Williams made available through his website a compilation album called Under the Radar Volume 1 featuring leftovers and unheard of music.

I’ve written a lot of songs that I’m really passionate about, and I want you to hear them, otherwise they’ll stay on my computer. Guy Chambers “isn’t thrilled,” Williams said, that these songs have been made available online: Williams commented, “He thinks I’m crazy for leaving them off an album we marketed with TV appearances, at radio stations, and an important tour But I’m a hasty asshole and I want them gone, now, now, now!