Who Did Bradley Jaden Play In Emmerdale? Untold Facts On The Les Miserables London Cast

British actor Bradley Jaden attended the Guildford School of Acting for his study. He ultimately acquired a degree with first-class honors in musical theatre from that institution.

Who Is Actor Bradley Jaden?

Bradley Jaden is a British actor who was born and raised in London.

Although the internet does not give a great deal of information, he is known for his work on the productions of Les Miserables: The Stage Concert (2019) and We’ll Meet Again (2019). (2020). (2020). In addition, he is widely regarded as one of the top performers in British musical theater, a field in which he has participated on various musical stages.

The Guildford School of Acting provided Jaden with instruction. He is a graduate of the musical theatre program at the university and was awarded first-class honors.

The roles of Dean Martin in “The Rat Pack” (Edinburgh), Jake Blues in “The Blues Brothers” (Edinburgh), Cecco in Stiles and Drewe’s “Peter Pan” (West Yorkshire Playhouse), Tenor in “Rock at the Opera” (Portugal), and Tenor in “The Twelve Tenors” are just a few of the ones he has portrayed in the past.

Bradley Jaden Age As Les Miserables Cast

February 12 is the day Bradley Jaden celebrates his birthday; however, his age has not been revealed.

The production of Les Misérables that is presently running on the West End has Bradley Jaden in the part of Javert. In his most recent performance, which took place in Les Misérables: The Staged Concert (Gielgud), he reprised the role of Enjolras. He had previously portrayed the role as part of the 30th-anniversary cast.

In addition, he has been on stage in productions of Shrek: The Musical (Original London Cast, Theatre Royal, Drury Lane), Wicked (West End and International Tour), Les Miserables (West End), and Ghost (Original UK Touring Company) (Original UK Touring Company).

In “Over the Edge,” “Goblin Market,” and “Missing Melanie,” he was the lead vocalist for their respective songs. His list of musical credits includes Theseus (Dress Circle), Peter Pan (Dress Circle), and Friday Night Is Music Night (BBC2) (BBC2). Bring Him Home, Again, Who I’d Be, Maria, and Being Alive are some songs played the most in his discography.

Is Jaden Married? Meet His Partner Amy

In 2018, Bradley Jaden made news when he ended his engagement to Amy Walsh, whom he had seen for several years.

Amy Walsh announced her engagement to Bradley in February 2017, after the couple had successfully concealed their joyous news for six months. On the other hand, Jaden and his co-star from Wicked, Olivia Holding, had already gone on to other things.

Bradley has never been shy about expressing his feelings for Olivia and often goes on and on about her. Olivia and Bradley do not hesitate to post cute images of one another on their respective social media accounts. This year marked the happy occasion of the couple’s marriage after they had been together for a considerable time. They have each posted a picture from their wedding on each other’s Instagram accounts.

Bradley Jaden Net Worth 2022

The net worth of Bradley Jaden has not been disclosed yet.

However, we can estimate the average salary of the actor by looking at trends of payments made to all actors. Due to the significant pay gap between the United States and the United Kingdom, a story published in Playbill this week on the amount of money received by Broadway singers, musicians, and stage management has caused controversy.

It is essential to note that the average ticket price on Broadway is far higher than the same price in the West End, coming in at $109 (£76) compared to £44 in 2016/17.

The bare minimum salary for performers is £695 per week in theaters with a capacity of 1,100 seats or more, £632 per week in theaters with between 800 and 1,099 seats, and £569 per week in theaters with 799 seats or less. In comparison, the minimum salary for actors on Broadway is $2,034 per week, equivalent to £1,430 when converted at today’s currency rate. A significant disparity of up to £862 in weekly cost.

Performers have the opportunity to earn additional compensation through the performance of “extras,” such as receiving £91 per week for the job of Dance Captain ($406 on Broadway) or £26 each performance for understudying a lead part ($54).

Bradley is playing Fiyero in the London production of WICKED. He played the role earlier this year when the show went on tour around the world.

He has also played Enjolras in Les Misérables (Queen’s and 30th Anniversary cast), Freddie in My Fair Lady 60th Anniversary Celebration (St Paul’s Actors Church), Ghost the Musical (No. 1 UK Tour), and Shrek the Musical (Theatre Royal, Drury Lane). He took time out of his busy 8 shows a week and fitness routine to tell us about his life in the smash hit musical.

You played Fiyero in the UK and International tour of Wicked, and now you are in the London production. When you got the offer to come to town with the show, what did you do?

It was almost like a dream because when I agreed to do the international tour, it didn’t end until January 2018. I didn’t even think about trying out for the town production because Oliver Saville was doing such a great job and I don’t think they wanted to lose him, so I didn’t even think it was possible. So when I heard there was a chance I could try out for it, I jumped at the chance.

So you had to go through the process of auditioning again?

Over a year, anything can happen: you can get lazy and complacent, and the creative team didn’t want that to happen from tour to tour. They want to make sure they’re getting the best, and if there’s someone else who can do the role much better, I don’t think it’s a given that you can play it somewhere else just because you’ve played it somewhere else.

How have you changed, Fiyero, when you think back on your time on the show?

I think it changes every night. I’m so glad I get to work with such great actors in the ensemble and as one of the two witches. The girls I had on tour were great, but they were different from the great girls I have in town. The relationships between the characters have changed, and even small things like the set have changed. Since it was a touring set, even small actions and movements can make a big difference in a scene, so it has changed a lot. I feel a little more comfortable with the old dance moves, but “Dancing Through Life” still scares me to death. We try to change it every night so that it doesn’t get old, but it has changed a lot since our first show in Bradford.

Before Wicked, you and Alice Fearn last worked together as understudies in Shrek (when the green was the other way around…). How does it feel to be back where you started?

To play a lead role was beyond my wildest dreams. I never thought it was possible, especially when I think about how I started my career after leaving drama school and the jobs I’ve had. So, I’ll always be grateful for that, and to get to work with someone like Alice, whose CV blew me away when I first started working on Shrek. Playing Shrek to her Fiona was an amazing experience, but if you’ve seen the show, her talent speaks for itself. She is a real powerhouse, and it’s amazing to watch her and play with her. I feel very lucky to work with someone like that.

You also went on to play Glinda and Fiyero with Samantha Thomas (ensemble and Glinda U/S). The last time you worked with her, you were her father in Les Miserables. Samantha stood in for Cosette. Did you find that odd?

We just couldn’t believe it! I think it was to the day that we played Val Jean and Cosette, and again, she’s a young talent who’s making her way up the ranks. She’s amazing to watch, and she’s just as amazing in the background as she is in the lead. I think she’s definitely someone to keep an eye on. Since she graduated, she’s already done a couple of great shows and done a great job in those roles, so I think that’s proof enough. I’m very lucky to have her as an understudy, and I’m looking forward to seeing what she does next.

We know that you lost weight and have a strict health plan. Could you tell us a little bit about what made you decide to get healthy and how you keep it up while doing eight shows a week?

I think I’ve lost about 6 and a half stone since I started. If I’m honest, I was playing the title role in Shrek, and the writer of Shrek, Jeanine Tesori, was in the audience that night. When she saw me after the show, she said, “Look, I think you’d be a lot more successful if you lost weight.” Up until that point, I didn’t even know I was overweight, but looking back, I was 17 and a half stone I was knocking on doors to get an audition, so when someone of her standards said that to me, something clicked, and I think the next day I got up and started running on the spot. I think there are a lot of talented people coming out of drama school, and if we don’t keep up our standards, someone else will take that job right out from under us. I never even considered losing weight or becoming a leading man. It wasn’t even on my mind. If you look at it from an image-conscious point of view, which I guess we all are right now, I started working a little more after I lost weight. Because of that, I thought, “Well, I’ll just keep going because I want to work and get chances.” That’s how I got into Ghost and Les Miserables, and now look where I am! I don’t want to say that until someone says, “Actually, I don’t want to hire you,” and then maybe I’ll eat a few more pies.

At the moment, I wake up every morning at 6 a.m. and go to the gym with some of my best friends. We train 6 or 7 times a week and eat well. I’ll go with a couple of the guys in the show if they want to go between shows. It’s a way of life, and I’ve had to get used to it, but like I said, if I don’t keep that up and keep auditioning the way I do, someone else will take that away from me. You have to keep working because everyone wants that chance, and I’m very lucky to be in that position.

When you were in Les Miserables before Wicked, you went from being an understudy to playing Enjolras full time. How did you feel when you found out that you would be the main character?

I had to re-audition and go through all the different rounds. I didn’t have to do the first few rounds because they’d seen me on the show, but I still had to go through the whole process. Everyone was auditioning again, and all the new people were coming in, so again, I was second cover and never in a million years thought I’d get that chance. After I found out, I think I cried for two days. It was my dream part, and I was very lucky to get to play it on the 30th anniversary.

You were also a stand-in for Jean Valjean. Do you think you’d ever want to play this part on the show?

That role is a real monster, and it’s a marathon for anyone who takes it on. In this show, it’s like Elphaba. I’d love to play it again when I’m older, too. For that role, you need a seriousness that can only come with age, even if you’re an amazing actor. I would love to go back and do it eight times a week when I’m older and wiser.

Wicked turned 10 years old in 2016, and it’s still doing very well all over the world. How do you think it has done so well?

It has so many different stories, and everyone can relate to them, that you don’t even have to like musical theater to come see this amazing play. There’s the stage, the lights, the costumes, the music, and the sound. Then there’s the amazing talent on stage. By taking the show all over the world to see so many different kinds of people, I think it touches people and makes it easy to relate to any of the characters. Any of the characters has a little bit of you in them. It gets you interested and gives you three hours to yourself.

What would you do if Glinda’s magic wand could put on any play and you could play any part?

I’d love to play the Phantom, but I think that’s a big wish! I love the music in that, and I used to watch that show all the time.

Could you tell us about a time you were embarrassed on stage?

I only have one funny story. When I was in Les Miserable, someone dropped something on stage at the beginning of the second half, and I thought it would be helpful to pick it up. I got on my knees to pick it up, but I tore my pants, and I didn’t have any underwear on. I had a moment of complete panic, and I was sweating so much that I had to leave stage craft and wear someone else’s pants for the rest of the show.

In January, our website will have been up for 5 years. To celebrate, we’re asking people what theater means to them.

Theater is an escape for me. In real life, I’m not as sure of myself as I am on stage. It’s nice to have a few hours when you can get away from modern technology and forget about your phone. Even when you go to the movies, you talk and do other things, but in the theater, you can get lost in this world. Leave your worries at the door and enjoy the amazing things happening on stage. Pure escapism.