#Fans #Jim #Ladd #Leaving #Sirius #Heres
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American radio producer, DJ and writer Jim Ladd is best known as the host of the hour-long radio show Interview. Ladd also presents music programming on Sirius XM radio’s Deep Tracks channel.
It’s possible that a household name in the radio industry has retired. Jim selects the songs he plays on his nationwide SiriusXM Deep Tracks Freeform Radio program and turns them into freeform rock.
On the radio, he regularly invites listeners to join him. Most of his musical performances have a theme or narrative, such as those about politics, fast vehicles, Wild West outlaws, or attractive women. The presenter also accepts requests from the audience, and occasionally these can set off a whole set.
Is Jim Ladd leaving Sirius XM? Where is he now?
Recent updates from Jim Ladd suggest he doesn’t appear to be leaving Sirius XM. The radio host has not stated on his social media pages that he intends to leave.
He was active on social media until August 17, when he urged fans to tune in to the show. Jim still mentions Sirius XM as his employer on his Twitter account and also announces his show timings.
For the past 11 years, Jim has been a member of Sirius XM and in that time has won the admiration of listeners. Ladd brings his imaginative brand of free-form rock to SiriusXM Satellite Radio listeners.
Crosby Stills & Nash, Roger Waters, the Eagles, Jackson Browne, Slash, John Fogerty, Carlos Santana and many other well known people have appeared on his nationally syndicated show.
Are Jim Lad’s retirement rumors true? Disease Update
It’s possible that Jim Ladd’s tweet signaled his resignation. On Aug. 23, he sent out a tweet thanking everyone for reading and being his friends.
Reading the comments section, it seemed that the radio host had given up. Jim is 74 years old and has been employed for some time.
Ladd’s health is not mentioned, but his advanced age may have contributed to his eventual retirement. The radio personality will announce shortly if she is retiring.
Keep an eye on his Twitter feed. Ladd is accessible via the @JimLaddRocks handle.
Who is Stacy Josloff, Donny Deutsch’s wife, and why should I care? The tv-personality is now dating Marla Maples, an actress
Jim Lad’s wife’s name is Helene Hodge-Ladd: Family Details
According to Wikipedia, Jim Ladd’s family consists of him and his wife, Helena Hodge Ladd; They have never had a child together.
Information about his wife can be found on her LinkedIn profile. Although the couple’s wedding date is unknown, Jim and Ladd appear to have been married for quite some time.
Jim’s wife is also a musician, writer and poet. According to Hodge’s bio, she helps boyfriend Jim Ladd with his programs, which stream Monday through Friday from 8 p.m. to 1 a.m.
Helena is a very talented individual who also doubles as a professional motorcyclist and battle hardened female voice actress for video games.
Jim Ladd Net Worth: Is The Radio Host Rich?
Jim Ladd has a net worth of more than $2 million. The radio personality worked at many stations to get all that money.
DJ Jim Ladd has also recorded episodes of his SiriusXM radio show from his home, which featured the likes of Bonnie Raitt and Carlos Santana.
He bought the house in 1988 for $245,000 and sold it to director and producer Jane Clark in 2018 for $1.1 million.
Jim Ladd, a disc jockey, radio producer and author from the United States, was born on January 17, 1948. He is one of the few renowned freeform rock DJs still active on American commercial radio. Ladd first rose to national prominence as the host of the hour-long nationally syndicated radio show Innerview, which ran on more than 160 stations for 12 years. John Lennon, The Grateful Dead, Pink Floyd, Rush, Styx, U2, Joni Mitchell, Stevie Nicks, Crosby, Stills, Nash & Young, the Eagles and Led Zeppelin are just a few of the musicians Ladd has spoken to.
Born | January 17, 1948 United States |
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profession |
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spouse | Helene Hodge-Ladd |
Radio show style
Ladd is responsible for curating the playlist for his show on Nationwide SiriusXM Deep Tracks Freeform Radio, turning the tunes he plays into freeform rock. He regularly opens the floor for questions and comments from the audience. Most of his musical sets are structured around a theme or narrative, such as Old West outlaws, attractive ladies, fast vehicles, or politics. He also takes requests from viewers, and such a request can often serve as the impetus for a full act.
Each week, on Monday, Wednesday and Sunday evenings, he hosted three different shows on a central theme. Jim put the blues front and center on Monday from 10pm to 11pm on his show MOJO MONDAY. On Wednesday at midnight he gave a performance entitled “Headsets” which lasted a full hour and was non-stop. This is a themed compilation of music that has been put together perfectly, with one song flowing into the next. It also includes a variety of sound effects, such as B. Voice-overs and film lines that are relevant to the topic. Over the course of this program, Ladd builds what he calls “Theatre of the Mind” (headphones recommended). Poetry was performed and composed by spoken word artists such as Helene Hodge and Victoria Cyr and featured on the ‘Headsets’ show which aired each week in addition to the music. Two albums were released under the Headsets moniker, and both were co-created with Billy Sherwood.
Ladd hosted a show titled “Theme of Consciousness” on Sunday night, which began at 9 p.m. Pacific Time and lasted until midnight. During this show, listeners submitted requests for songs that focused on a single word or phrase, such as “colors,” “fire,” or “dance.” This show recreates what Ladd calls the “tribal drum” as he describes the community impact radio had on people in the early days of FM radio when he was a pioneer in the field. His set list included songs and bands not typically played on commercial radio such as The Beatles, The Doors and Led Zeppelin, as well as classic rock standards from groups such as The Beatles and The Doors. Most of his shows end with a long song, like The Doors’ “When the Music’s Over,” Led Zeppelin’s “Achilles Last Stand,” or even Pink Floyd’s “Echoes,” which is 23 minutes long. This practice was once common on radio.
biography
Early years and KMET
Ladd got his start in the music business in 1969 at a small rock station in Long Beach called KNAC. After working there for a total of two years, he transferred to the KLOS station in Los Angeles. In 1974 he joined KMET, aka “The Mighty Met” and stayed there for the better part of the following 13 years (returned to KLOS in 1984 but rejoined KMET two months before the format change). During this time, he also hosted and produced Innerview, an hour-long nationally syndicated interview program that aired during the same period. In 1984 he moved back to KLOS, where he had previously stayed for 2 months
After what many listeners and people working in the industry perceived to be a long, steady decline in the station’s output, which most reports attributed to the station’s decision to hire consultant Lee Abrams and the strict one he favored “album-oriented rock” formatting, KMET management shocked Southern California and all radio by abruptly dumping rock music, call letters and all air staff on February 14, 1987, changing the station’s name to KTWV (“The Wave”) changed and performed a new one
Jumping from station to station and side projects
In 1987, Ladd guest-starred on Pink Floyd bassist Roger Waters’ second solo album entitled Radio KAOS, in which he portrayed a fictional disc jockey named DJ Jim conversing with the album’s protagonist, a disabled youth named Billy. Ladd joined Waters on the tour that followed immediately, and also appeared in all three of the album’s accompanying music videos. Ladd also appeared in the 1989 film Say Anything directed by Crowe as a DJ who worked all night…. In addition, Ladd’s work has been highlighted in major motion pictures such as Tequila Sunrise, Rush, She’s Out of Control, and Defense with Woody Harrelson.
Because he refused to stick to a playlist like the majority of radio stations demanded, Ladd was only able to work part-time in the radio industry for a few years. Ladd worked at KMPC-FM in the late 1980s, where he helped create the station’s “Full Spectrum Rock” blend of classic and modern rock. He was enthusiastic about the station’s renaming to KEDG “the Edge” in March 1989; However, he was fired from his position when the station abruptly abandoned its rock format two months later.
Published by St. Martin’s Press in 1991, Radio Waves: Life And Revolution On The FM Dial was a semi-autobiographical book written by Ladd. The book is based on his radio career and the rise and fall of freeform rock radio in Los Angeles, beginning with the beginning of freeform on the west coast and ending with the closure of KMET in 1987. Ladd’s book is based on his experiences. However, Raechel Donahue has stated that she requested that Ladd use her own name and that of her late husband Tom Donahue in the book. Many people and radio stations that Ladd contacted over these two decades had their names swapped out for pseudonyms. Others recognized by their “air names” include David Perry, Ace Young, Jack Snyder, Damion, and the late B. Mitchel Reed and JJ Jackson. This group also includes others nicknamed “Damon”.
That same year, Ladd began working for KLSX. When the station abruptly switched its programming to talk radio in July 1995, Ladd and the rest of the KLSX crew were fired without warning or explanation.
Personal life
Ladd is married to the writer, poet and musician Helene Hodge-Ladd.